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GAC Music Management

Massimo Tannoia



My Bio

He has collaborated with the Raiorchestras of Naples,Rome andTurin and has been avioloncello soloistwith the Bari Symphony Orchestra, the United Europe Chamber Orchestra, "I Solisti Aquilan ", 'The Virtuosi dell'Accadernia"" in Florence, the Orchestra Soncino Wind .
"The first Italiancello of the ItalianMusical Workshop took part in the 'Maggio Musica e Fiorentino' in 1992 as the Soloist in the opera 'Teorema' by G.Battistelli, and with the same production at the Ill Munich Bienna e at the 'Kart Orff Sall ". And at the QueenElisabeth Hall ""in London for the EuropeanArts Festival. He was a member of I Solisti Aquilan and IVirtuosi di S. Cecilia"" and was First cello of the Ensemble Artnmos of Rome and of the Virtuosidell'Accadernia of Forence. Wth the latter there have been great successes of the public and critics in the toumees in France, Germany and Denmark (the concerts have been broadcast by the French and Danish National radios), n the tour in Sicily pro.meted by the Ente Autonomo Teatro Massimo of Palermo, at concerts for the Friends of Music Association of Peruglna and FortantOine of the Principality of Monaco. He also participated as a chamber musician in the Festival ""The Instruments of the Fantasy"" of L'Aqula, Festival""Citta Spettacolo"" of Benevento, ""Camerino Festival"", ""Lugio Musica e"" in Capodimonte (Naples},"International Kammerkonzerte Festival"" of Lindau, at the "" XXXVIFestival of Marseille "", Festival"" Lago"Maggiore Musica "". Festival"" Musica Verticale diRoma "", Festivalor Contemporary Music ""of Sari etc ... Cellist of the ""Arianna Quartet"" he gave concerts in Italy and abroad for the associations·societa Aquilana of Barattelli concerts"" for the ""PomeriggiMusica idiBologna"",for the >N VerticalMusic Festivalof Rome,for the"
"""Festivalof Malatesta"" Rimini""in European radio connection. for the XVIII Shipyard of Montepulciano \vith first world performances, etc ..."Perfected at the Fiesole music schoolwith the 'Trio diTrieste"",andwith Piero Farulli for the quartet,he played in numerous chamber ensembles with Mariana Sirbu, Bruno Giuranna,Massimo Paris. Danilo Rossi,Augusto Vismara, Enzo Porta, Vincenzo Mariozzi. Roberto Fabbriciani, Ravio Cucchi, Richard Galliano and was directed by famous directors such as Riccardo l'v\Jti,Lorin Maazel,Jurij Temirkanov,Rudolf Barshai,Myung· Whun Chung,Gustav Kuhn,Dan el Oren,Michel Plasson,Rafael Fruhbeck de Burgos. He has collaborated as First cello with the Untted Europe Chamber Orchestra Orchestras, the Donizetti Theater Orchestra of Bergamo, the March g ana Philharmonic Orchestra, the Bergamo and Brescia International Piano Festival Orchestra,the Abruzzese Symphony Orchestra, the International Orchestra of Italy, the Pescara Symphony Orchestra, the Lazio Reg onal Orchestra, Classical Milan, the G. Cantelli" "Orchestra of Milan, the Arturo ToscaniniFoundation of Parma.""He has playedin the most prestig ous theatersin the wortd such as the Queen Elsabeth Hall n London,the Great Hall of the Tchaikovsky Conservatory in Moscow and the Tchaikovsky Hall of the St. Petersburg Ph lharmonic,the Kart Orlf Sall n Mun ch,the Kammerroosiksaal Ph lharmonie Hausin Berlin,the Mozartsaal" Viener Konzerthaus in Vienna, Carnegie Hall in New York, MunicipalTheater in Rio de Janeiro and St. Paul," "NationalTheater in Beijing,Kyoi Hallin Tokyo,Ginko Hallin Fukuoka, and in all the TheatersofItaly .""Since 2007 heis regularly invited as First cello at the ""Festivaldella Valle d'ltria""He was Professor of Cello at the Pescarese Academy of Music, at the InternationalSummer Courses ""F. Fenaroll •from Lanciano and teaches at the State MusicConservatories."He has recorded for the labels Nuova Era,Agora,Naxsos, Radolphe-F orenceInternational, Decca, Sony, Ph lips and B.M.G."


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Performance Highlight



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— Vittorio Starita

“Extraordinario el sexteto italiano!!”
— Jose Manuel Garrido

“Interprétation suprême!”
— Yoshinobu Ogimoto

“If you really look at his performance, there's something incredibly beautiful about this piece of music in conjunction with the visuals of the white lines. The performance makes me feel very composed and methodical.”

“The moment he started playing my heart exploded with all kinds of emotions and cried.”

“Listening to his exquisite performance makes me feel comfortable and calm.”


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